“Back in the fall of 2018, Hannah Moscovitch, Maev Beaty and Ann-Marie Kerr‘s play about being an artist and becoming a mother was easily the most talked-about show of the season. Part memoir, part exposé, it was funny, raw and frequently harrowing, especially in Beaty’s incandescent performance and with the ingenious designs by Camellia Koo (sets) and Leigh Ann Vardy (lighting). Now the SLOM Collective/Theatre Centre co-production is back as part of Crow’s Theatre‘s season, and it’s not to be missed. ”
Read the full article by Glenn Sumi & Kathleen Smith on NowToronto.com
